First released in 2001, Séance at Hobs Lane is an overlooked classic of British electronics. Its sinister atmospherics are comprised of VCS3 synthesizer squalls, howling guitar, skronking sax, and oddly haunting keyboard and cello melodies. The album has a similar eccentric and disturbing atmosphere to the work of great mid-century British experimentalists like Desmond Leslie, Daphne Oram or Tristram Carey.
