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Following the release of that album, he went on his first-ever concert tour, performing material from the Lost Themes albums, as well as music from his classic film scores. He re-recorded many of those classic movie themes for 2017’s Anthology album, working alongside son Cody Carpenter and godson Daniel Davies. The following year, he was asked to executive produce and compose the music for the new Halloween movie directed by David Gordon Green, which promptly became the highest-grossing installment in the series.\u003c\/p\u003e\u003cp class=\"\"\u003eNow, he returns with his first album of non-soundtrack music in nearly five years, Lost Themes III: Alive After Death. Whereas the original Lost Themes album came as a pleasant surprise after years of relative silence from Carpenter, the third installment sees him in the midst of a resurgent moment as a cultural force. The 2018 Halloween score gave his music its biggest audience in decades, and the world he releases his new album into is one that has, at long last, given him the credit he deserves as a founding father of modern electronic music.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42466997043375,"sku":"843563132906","price":4.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/sbr265-johncarpenter-1800_1024x1024_bfbee417-7f89-499e-85a3-d478d4fa68f7.jpg?v=1681585634"},{"product_id":"843563129968","title":"Garson, Mort \"Didn't You Hear?\" [Ocean Wave Blue Vinyl - EOAE Exclusive]","description":"\u003cp class=\"\"\u003eOriginally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn’t You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42467089416367,"sku":"843563129968","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/a2636396888_10.jpg?v=1681585937"},{"product_id":"801061033514","title":"Broadcast \"Microtronics - Volumes 1 \u0026 2\"","description":"\u003cp\u003eMicrotronics - Volumes 1 and 2 - Originally released as 3\" tour only CDs in 2003 and 2005, the albums have been compiled and remastered. 21 instrumental tracks available on a single LP and CD.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468428480687,"sku":"801061033514","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/a3727929398_10.jpg?v=1681586257"},{"product_id":"5055869548816","title":"White Flowers \"Are You\" [Indie Exclusive Cream Vinyl]","description":"\u003cp\u003eDave's Faves: RIYL UK Shoegaze (Slowdive, Ride, etc)\u003c\/p\u003e\n\u003cp\u003eRecorded late 2021 between Preston and Bristol, Are You weaves together a mixture of intuitive home recordings and refined studio production aided by producer Ali Chant (PJ Harvey, Portishead, Perfume Genius). The four songs on the EP are an intentional collection of contrasts and paradoxes - beauty and repulsion, calmness and mania, anxiety and stasis - all combined to form a balanced whole.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468432904367,"sku":"5055869548816","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/White_Flowers_-_Are_You_12.jpg?v=1681586396"},{"product_id":"823134907317","title":"Scone Cash Players \"Brooklyn to Brooklin\" [Limited Daptone Authorized Dealer \"Palm Tree Green\" Color Vinyl]","description":"\u003cp\u003eThe second Brooklin in the title here is a city in Brazil – referenced by the group as a place of new inspiration, which seems to come through in some occasionally more complicated rhythms on the set! If you love the previous work by this Hammond-heavy combo, don't fret – as there's plenty of funky organ here to love. But there's also some occasional nods to the legacy of Brazilian groove too – which breaks organist Adam Scone out of his deep funk box a bit, as he works alongside guitarist Jimmy James and tenorist Neal Sugarman – with a vibe that's nicely loose at times, tighter at others, and always right on the money! Titles include \"It Wasn't Meant To Be\", \"Anadira\", \"Cold 40s\", \"In Our Hands\", \"What's Her Name\", \"It Wasn't Meant To Be\", and \"Brooklyn To Brooklin\".\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468433068207,"sku":"823134907317","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/418467049161.jpg?v=1681586402"},{"product_id":"682604703114","title":"Deer, The \"Beautiful Undead\" [Crystal Clear Vinyl]","description":"\u003cp\u003eThe five musicians took the energy reserved for tour and brought it into the studio, a pressure cooker not only for creativity but newly, for existential reflection. The result is two full albums, the first of which, The Beautiful Undead, will be released September 9, 2022, on tastemaking indie Keeled Scales. It’s an uninhibited collection of cosmic indie-folk reflecting upon what it means to lose your sense of purpose. The Deer, amidst turbulent assessment, transformed a paralyzing void into an empowering surrender of ego—a rollicking submission to the immense unpredictability of existing. It's a free-spirited album fueled by hard-earned revelation.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468433100975,"sku":"682604703114","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/418466792960_3A1000.jpg?v=1681586404"},{"product_id":"720841301516","title":"Sun's Signature \"s\/t\"","description":"\u003cp class=\"\"\u003eRSD 2022 Release.\u003c\/p\u003e\u003cp class=\"\"\u003eSun's Signature is a 5 track EP of music by Elizabeth Fraser (Cocteau Twins) and Damon Reece (Spiritualized, Echo \u0026amp; the Bunnymen, Lupine Howl). Pressed on black vinyl, housed inside a single sleeve jacket and printed inner sleeve. 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She’s come to appreciate staying afloat - basking even - in the open ended, uncertainty of the grey area.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468443586735,"sku":"4250506845803","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/4162457-2922340.jpg?v=1681586761"},{"product_id":"656605235479","title":"Olsen, Angel \"Whole New Mess\" [White Vinyl - EOAE Exclusive]","description":"\u003cp class=\"\"\u003e\u003cstrong\u003eEND OF AN EAR EXCLUSIVE on WHITE VINYL, LIMITED TO 500! \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe time had come, Angel Olsen realized in the fading summer of 2018, to take her new songs out of the house. Olsen's 2016 marvel, My Woman, had been a career breakthrough, but it catalyzed a period of personal tumult, too: a painful breakup, an uneasy recovery, an inadequate reckoning. At home in North Carolina's Blue Ridge Mountains, Olsen penned songs that finally grappled with these troubles, particularly love-how forever is too much to promise, how relationships can lock us into static versions of ourselves, how you can go through hell just to make someone else happy. These heartsore explorations shape Whole New Mess, Olsen's first solo album since her 2012 debut and an emotional portrait so intimate and vulnerable you can hear her find meaning in these crises in real-time. At least nine of the 11 songs on Whole New Mess should sound familiar to anyone who has heard All Mirrors, Olsen's grand 2019 masterpiece that earned high honors on prestigious year-end lists and glossy spreads in stylish magazines.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468445356207,"sku":"656605235479","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/angel.jpg?v=1681586821"},{"product_id":"656605363684","title":"Whitney \"Candid\" [Seaglass Wave Vinyl - EOAE Exclusive]","description":"\u003cp class=\"\"\u003e\u003cstrong\u003eEND OF AN EAR EXCLUSIVE - Seaglass Wave Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFollowing their acclaimed sophomore album Forever Turned Around, Whitney have returned with Candid, a 10-song collection boasting covers of artists like Kelela, David Byrne, John Denver, SWV, and more. 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In it's mystery and attentiveness to the art of alchemy and the world of the unseen, it is a journey through textural fog and feral density that gives way to passages of voracious sonic exorcism and poetic healing. It's eight songs traverse planes of visceral physicality, stark tender space, and breathtaking introspective beauty. Spurred on and crafted by the impulse to create a more corporeal sonic tendon for her songs to inhabit, Woods took her vision and home recordings to Norwegian experimental noise producer and filmmaker Lasse Marhaug. The collaboration proved rare and fruitful and lies at the heart of this record. Field recordings, analogue bass synthesizers, hushed vocals, and the breath are underpinned with heavy noise processing, fierce and wide cello, rich percussion, sable saxophone, and electronics. Birthmarks is inspired and informed by ideas of inner transmutation in the face of anxiety, post-war Japanese and wet-plate photography, early music, the secret life of trees, wolves, drone, the drawings of Francis Bacon, the images of Francesca Woodman, the films of Chris Marker, the experiential collapse of community, and the power of the lone human voice. It is a deeply powerful and enigmatic record that ultimately transcends it's disquiet roots.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468445421743,"sku":"843563125502","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/a0751402972_10.jpg?v=1681586824"},{"product_id":"5051125510726","title":"Shinn, Don \"Temples With Prophets\" LP+7\"","description":"\u003cp\u003eSunbeam Records presents the first official reissue of Don Shinn's Temples With Prophets, originally released in 1969. Having made several classic 45s with The Soul Agents (whose singer was briefly Rod Stewart), Don Shinn taped his remarkable debut album in London's Lansdowne Studios in December 1967. Featuring his explosive organ (a clear influence on the young Keith Emerson) and outstanding guitar from Paul Hodgeson, it's one of the first progressive albums ever recorded. This is its first official reissue, fifty years after its original release, complete with detailed background notes, rare images, and two jaw-dropping bonus tracks from 1966 on an additional 7\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468445814959,"sku":"5051125510726","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/418462486810_800_5B1_5D.jpg?v=1681586837"},{"product_id":"40361021153","title":"Schornikow, Jo \"Secret Weapon\" [White Vinyl]","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eSonically, Jo's explorations thrive in a dusklit territory neighboring pop, shoegaze, and ambient experimental music. Among subtle swells of synths and shimmering washes of guitars, her serene voice is never obscured. The album is both exquisitely calm and stirring, each song poetically pondering a question, doubt or favor that Jo's various and sometimes conflicting roles ask of her. Propelling intimacy beyond blinding prettiness, Jo's creations are poignantly human.\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe vinyl pressing is on standard-weight white vinyl.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468445847727,"sku":"40361021153","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/a0988442702_10.jpg?v=1681586838"},{"product_id":"100761421","title":"Fernando \"s\/t\" 12\"","description":"\u003cp\u003eFor this release, his first lp under his given name, we get a vast array of mutant electronics with surprisingly insane, almost pop, songwriting structure over 15 tracks. These songs conjure up a weird netherworld where all things bizzare and wrong come to head and spiral out of control.\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42468447322287,"sku":"100761421","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/LIES118-FRONT-web_promo_1024x1024_40a6e53a-02e2-44c5-8d3c-b55814bd8bc8.jpg?v=1681586890"},{"product_id":"616892548942","title":"Elephant Micah \"Genericana\"","description":"\u003cp\u003eJoe O'Connell on his new album: I guess the lodestone in the process of making this was the kind of global avant garde mood that's prevalent in a lot of 1980s albums I admire. Things like Joni Mitchell's Dog Eat Dog and Arthur Russell's Calling Out of Context. These records where singers were making really eclectic and outward looking productions - writing *through* the process of recording, and literally *playing* with technologies that were totally new to them. All the gear that I gathered to make the album was basically discarded or devalued. I got a bunch of stuff from Craigslist that interested me: a cheap FM synth, some Hindustani electronics, and an old three-head tape deck to use as a \"poor man's space echo.\" The icing on the cake is a one-of-a-kind homemade digital synthesizer called \"The Mutant\". The concept of the synth is parallel to the concept of the album itself. It's an electronic take on \"folk\" sounds (bends, drones, modal playing) and folk creative approaches (a cobbling together and reformatting of existing elements). 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We realized that Catholics (we were all Roman Catholics at the time) had nowhere to go to hear fun, inspirational music, so we began playing church halls and schools doing \"rocked-up\" versions of songs we pulled out of hymnals. Eventually some of us wrote our own stuff. We played hundreds of shows over the next 4 years, passing the hat for donations to pay for necessities that we needed to keep the group going (microphones, wires, gas for the van, and eventually, the \"First Fruit\" album, which we sold at concerts for just about cost). It was never about the money; it was all about spreading the Good News and having fun doing it. We consistently lost members through the years and gave our last concert in December 1983. Doug Prinzivalli, who owned a video copy of our appearance on a local TV show sometime in 1982, had been running \"where are they now\" (or more specifically, \"who are they\") contests on his California blog for years. It wasn't until he got his hands on a copy of the album (which is amazing considering we only printed 1,000 or so) that he found my name and tracked me down. That video was originally put on YouTube not by Doug, but by some visitor to his blog who thought it was too good not to share. --Sal Polichetti (Sonseed) (This is an exclusive 2023 Record Store Day release.)\u003c\/p\u003e","brand":"---","offers":[{"title":"VINYL","offer_id":42485796110511,"sku":"634457116634","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/418467231608_500.webp?v=1682209214"},{"product_id":"880882469917","title":"Sheff, Will \"Nothing Special\" [Sky Blue Vinyl]","description":"\u003cp\u003eAfter nine critically acclaimed albums, twenty bandmates, countless bars, clubs, theaters and festivals, after two full decades, Will Sheff is letting Okkervil River drift out to sea with the release of Nothing Special, his debut collection under his own name. Nothing Special was recorded with a mix of old friends (like Benjamin Lazar-Davis and Will Graefe) and new collaborators (Christian Lee Hutson, Cassandra Jenkins, Dawes drummer Griffin Goldsmith, and Death Cab For Cutie pianist Zac Rae).\u003c\/p\u003e","brand":"(ATO)","offers":[{"title":"VINYL","offer_id":42519828857007,"sku":"880882469917","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/products\/ab67616d0000b2736512da23848614912b7ff7bf.jpg?v=1683070527"},{"product_id":"607396560714","title":"Hedley, Joshua \"Neon Blue\" [Indie Exclusive  Coke Bottle Clear Vinyl]","description":"\u003cp\u003eJoshua Hedley is “a singing professor of country \u0026amp; western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.\u003c\/p\u003e\n\n\u003cp\u003eNeon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says the professor, “was the early 1990s, roughly 1989 and 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ’97, when country veered off into pop territory. Neon Blue asks, What if that fork had never happened? 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But we were wrong to ever take Quasi for granted. For a while, they thought 2013's intricate Mole City might be their last record. They'd go out on a great one and move on.Then in August 2019 a car smashed into Janet's and broke both legs and her collarbone. Then a deadly virus collided with all of us, and no one knew when or if live music as we knew it-the touring, the communal crowds, the sonic church of the dark club-would ever happen again. And with the obliterated normal came an unexpected gift: uninterrupted time, hours every day, to make art. Quasi couldn't go on the road, so they got an idea: they would act as if they were on tour and play together every single day. Each afternoon, Sam and Janet bunkered down in their tiny practice space and channeled the bewilderment and absurdity of this alien new world into songs. Janet's strength returned and rose to athlete-level stamina.The incredible result of those sessions is Breaking the Balls of History, recorded in five days and produced by John Goodmanson at the legendary Robert Lang Studios in Shoreline, WA. Here are two artists at their prime, each a human library of musical knowledge and experience, entirely distinctive in their songcraft and sound. In Quasi-form, the band becomes alchemically even greater than the sum of it's parts: Janet's galloping drums and Sam's punk-symphonic Rocksichord and their intertwining vocals make something gigantic, anthemic. In the thick of a cataclysmic social and political moment, they've crafted exquisitely melodic songs that glitter with rage and wild humor and intelligence, driven by a big bruised pounding heart.While it reflects the darkness of our time, Breaking the Balls of History surges with energy and pleasure and joy. \"It felt so life-affirming. 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Equal parts motor city proto-punk and feedback-drenched fuzz on the darker side of psychedelia, Stepmother plays anthems for the poor depraved sickos and rock ‘n’ roll miscreants with influences ranging from Blue Cheer \u0026amp; The Pink Fairies to Nervous Eaters \u0026amp; The Damned. Chocked full of tunes about nuclear armageddon, torture and supernatural entities, Planet Brutalicon is a perfect soundtrack to your next bad trip. 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We reconfigured our subversive pop to fit our present situation, the distortion was dialled back, the gauzy tape worn ambiguity was replaced by a more in focus directness. Every song was stripped back to its essential elements revealing a newfound complexity in our song writing and arrangement. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOur devotion to the power of pop has not diminished, we still hold firm that it is a subversive medium to communicate ideas outside of the conventional messages of love and other frivolities. It still has the power to bring people together around a shared vision of how things could be. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe are happy to present these ten missives of post-industrial romance, existential melancholy, new beginnings, songs that linger in the half-light of ‘80’s synth-pop, 90’s trip-hop and electronica. It’s not all that heavy, this one is for the slow dancers\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and the close dancers.\" \u003c\/span\u003e\u003c\/p\u003e","brand":"---","offers":[{"title":"Default Title","offer_id":42763770462383,"sku":"5060889590530","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/8833\/2463\/files\/a3285664346_10_1.jpg?v=1696451038"},{"product_id":"644110048318","title":"Alexalone \"Alexalone Technical Research\" [Black, Silver, Splatter Vinyl]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" itemprop=\"description\"\u003eOn their debut full-length album, ALEXALONEWORLD, Austin, TX's alexalone introduced a warm, heavy style of atmospheric rock that ushers you into fuzzy, lonely spaces, then shocks you alive with pulsing energy. 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